Personally I've never been attracted to writing SuperCollider code, especially not in a live context, largely due to its syntax, but also its complexity.
So-called 'visual programming languages' I don't find interesting for performance, since they rely on the mouse for program manipulation.
For me Tidal's mini-notation is the greatest music sequencing tool of all time, bar none. Every time someone shows me a sequencer I can usually write the Tidal code in my head on the spot, and save $1000s on redundant hardware. It could only be beaten by being turned into a physical instrument, something I've tried to do in the past: https://github.com/jarmitage/Stenophone.
That being said, even though I'm evidently a big Tidal fan I would still call attention to ICLC and HLCI, where amazingly creative and interesting new systems and approaches are being proposed every year:
So-called 'visual programming languages' I don't find interesting for performance, since they rely on the mouse for program manipulation.
For me Tidal's mini-notation is the greatest music sequencing tool of all time, bar none. Every time someone shows me a sequencer I can usually write the Tidal code in my head on the spot, and save $1000s on redundant hardware. It could only be beaten by being turned into a physical instrument, something I've tried to do in the past: https://github.com/jarmitage/Stenophone.
That being said, even though I'm evidently a big Tidal fan I would still call attention to ICLC and HLCI, where amazingly creative and interesting new systems and approaches are being proposed every year:
https://iclc.toplap.org/
https://hybrid-livecode.pubpub.org/